"very bad things" has all the qualities of a good neo-noir: dark parody of southern california's suburban dreams, a ballistic dominant blonde female and the potent villain who guides things into the sinister worse. and it's directed by peter berg, who practically… More
"very bad things" has all the qualities of a good neo-noir: dark parody of southern california's suburban dreams, a ballistic dominant blonde female and the potent villain who guides things into the sinister worse. and it's directed by peter berg, who practically directs nothing else after this movie, a director-wanna-be obscure actor who constantly appears blockbusters in various petite roles. peter berg is the writer and director of very bad things, and he summons actors like chrisitian slater, jean tripplehorn (basic instinct) and of course, cameron diaz into an indie project like this. the actings are powerful and the production set has quaint feel...so what keeps this movie from being a cult b-movie in any regard? the answer is: its racist script, which is penned by peter berg himself. so he's got himself to blame for the failure.
(i meant peter berg didn't make anything bigger than very bad things after very bad things..he made several obscure pieces after it, then none.)
read roger ebert, if you look for specific descriptions on the racist parts:
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19981125/REVIEWS/811250305/1023
about the issue of racist or sexist jokes, there're great genius writers who touch this field but still manage to get decent black humour. the best among this is surely quentin tarantino who pens the script of true romance: the joke on sicillians being the descrendents of black men because moor had invaded sicilly isles centures ago. (who knows whether it was true or not, schillians have ni--er gene.) but you laugh at the joke without getting that disturbed. that's so called genius of black humour. another example from tarantino would be the "like a virgin" joke in reservoir dogs.
but the story of very bad things is in a different routine:
a group of dudes go to vegas for bachelor party, then one guy in the group accidently has the stripper killed during sex. btw, the stripper is asian..then black security man knocks on their hotel door due to the noise, then the black dude is also killed for spotting out the body of the dead hooker. the evil christian slater then forcefully persuade his buddies to disemeber their bodies and bury in the desert. during the process, there're deragatory jokes on how the bodies should be arranged in the right ways because one buddy in the group is a jew. i'm not from the states, and i don't know how to accurately depict those idioms of profanity even i do understand them.
the fun part of this movie is over cameron diaz who literally delivers a parodic version of her other cinema character in 1997 "my best friend's wedding"..she portrays a paranoiac 27-year-old woman whose biggest wish in life is to get married and have a perfect wedding even she has to compel her fiancee into murders...she succesfully mocks the martha stewart perfectionism within upper middle class wasp female's domestic culture with a perverse twist: ideal marriage, clean household, cozy refined wedding, and settlement in the suburban area with grass and garage for each family...kinda interesting choice for diaz to take after "my best friend's wedding" has grossed some fame and success for her....you don't see that kind of spunk after the good old 90s anymore.